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Title Paine Art Center
Catalog Number P2005.67.68
Accession number 2005.67
Object Name Transparency, Slide
Description Colored transparent slide of the Paine Art Center, Oshkosh, Wisconsin, Winnebago County.
Date 04/07/1952
Subjects Paine Art Center
Algoma Boulevard
Congress Avenue
Winter
Snow
Museums
Copyright Oshkosh Public Museum
Collection Kuenzl/Stenerson
Catalog date 2008-01-23
Cataloged by Radig, Dan
Medium Cardboard/Film
Notes Colored transparent slide of the Paine Art Center, Oshkosh, Wisconsin, Winnebago County.

The story of the Paine Art Center and Gardens is rooted in the woodlands of northern Wisconsin, which provided the source of the Paine family’s wealth and an inspiration for their estate. Nathan Paine grew up with the family milling business, and by the mid-1920s was president of the thriving Paine Lumber Company, which covered sixty acres along the Fox River in Oshkosh and employed over two thousand workers.

Since their wedding in 1896, Nathan and his wife, Jessie Kimberly Paine, lived in a Victorian house built by Nathan’s grandfather. In 1925, upon the recommendation of Jessie’s sister, Mary K. Shirk, the Paines' commissioned Bryant Fleming, an architect from Ithaca, New York, to design a Tudor Revival-style country estate. Both Nathan and Jessie’s ancestors were English, which likely inspired their selection of this architectural style and much of the interior design and furnishings.

From the beginning, the Paines’ ultimate goal was to design an estate showcasing exceptional architecture, furnishings, art, and natural beauty that would be open to the public for educational and cultural purposes. They first purchased a site outside of Oshkosh on the south shore of Lake Butte de Morts. However, they realized that it would be difficult for the public to visit there and eventually decided upon this property on Algoma Boulevard.

Construction began in 1927, and the exterior structure was completed by 1930. As the Great Depression crippled the Paine Lumber Company, all remaining work on the house came to a halt by 1932. The property received only minimal care and attention until 1946 when Nathan and Jessie finalized legal plans to establish the estate as a museum for the public.

Nathan died soon after in 1947 at the age of 77, and following his wishes, Jessie oversaw the remaining work which readied the house for opening to the public in 1948. Neither Nathan nor Jessie ever lived in the house and they had no children. Until Jessie’s death in 1973 at the age of 100, she served as the museum’s president while residing with her sister Mary in La Jolla, California.

(From the Paine Art Center website)


*Note: The slide images are sharper than they appear in the scans.
Orig/copy Original